Shankar ended the piece there instead of adding tabla for faster sections. Shankar played an elaborate alap (meditative prelude) that was a marvel of introspection - low, moaning, nuanced sustained phrases, gradually moving upward through the registers of the sitar, then easing, with all the time in the world, toward more rhythmic lines and finally the melody itself, insistent and triumphant. Shankar described as a ''princely raga.'' Mr. The concert's centerpiece was ''Darbari Kanada,'' which Mr. Related Clues: Indian melodies Some Indian music Carnatic pieces Eastern music Hindu musicians source material for improvisation Hindu melodic forms. The sitarists would share a raga's melody statements, and Shubho Shankar would improvise an occasional passage or trade phrases with his father. He performed with his son, Shubho Shankar, on second sitar, accompanied by Kumar Bose on tabla drums and two tamboura players. Shankar has built a reputation as one of the most extroverted, speed-demon sitarists, but his improvisations Thursday showed a new gentleness. Ravi Shankar's concert Thursday at Alice Tully Hall was a very good night, as the 69-year-old sitarist moved from profound delicacy to flamboyance. Unlike Western classical musicians, a sitarist reveals his prowess in music that is likely to be almost entirely improvised. A great sitarist, like any other classical virtuoso, must have a command of extremes, from infinitesimal subtleties of pitch and timbre to crowd-pleasing displays of speed.
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